How to choose the best seat sunset boulevard on Broadway
When you purchase a ticket to this high-tech revival, you’ll want to make sure you can see the screen as perfectly as possible.
Jamie Lloyd’s award-winning Andrew Lloyd Webber production sunset boulevard It’s one of the hottest tickets in town, so what’s that? best Ticket?
Picking seats for a show isn’t as simple as going to the front row and center every time. Depending on the show and specific stage, you may be better served by sitting in a different area of the theater. Playbill has tips on how to get the best seats in the house (in this case, at the St. James Theatre). We’ve scoured online forums to get the inside scoop from past attendees, so you’re ready to pick the perfect seat for Norma’s close-up.
The St. James Theater is a 1,735-seat theater with an orchestra, mezzanine, and balcony. For clarity, the seating chart has been divided into Orchestra Left (Orchestra L), Orchestra Center (Orchestra C), Orchestra Right (Orchestra R), Mezzanine Left (Mezzanine L), Mezzanine Center (Mezzanine C), and Mezzanine. Right (Mezzanine R), Left of balcony (Balcony L), Center of balcony (Balcony C), Right of balcony (Balcony R).
The front row of the St. James Hotel is loved for its ample legroom, but it’s a good idea to sit a few rows back. sunset boulevard; The production utilizes a significant amount of special screen work that may be difficult to fully see from the front row. To get a seat in the first few rows of the orchestra, sit in row B of the orchestra’s C section. Having three rows in front of you like in a movie theater means less stiff necks!
There are no large rakes in the St. James’s orchestra section, so the further back you sit in the section, the more likely you are to have to contend with taller patrons seated in front of you. For Orchestras L and R, it is ideal to sit in the aisle to have an unobstructed view of the entire stage.
Speaking of passages; Note that orchestral passages are utilized at various points in the production. In particular, in the case of Orchestra L, there is quite a commotion at the beginning of the second act of the performance. If proximity to performers excites you, seats marked as partial view in Orchestra L will give you the closest view of the performers entering and exiting from the other side of the house, although you may not be able to see part of the far left stage above.
this sunset blvd Most of the action is centered on stage, so you won’t miss much if stage right and stage left are obscured.
While a sloping mezzanine is always a safe choice to provide a more aerial view of all the action, attendees in all areas of the mezzanine noted that during some staging for the production, the view was briefly obscured as actors moved right into that location. I did it. The edge of the stage, invisible from the mezzanine except for the front row. Mezzanines L and R provide angled views of the front of the stage, so this effect can be somewhat mitigated by off-center placement of the mezzanine.
If you want more leg room, choose a balcony section. But be careful. You have to climb some pretty steep stairs to reach the top. The balcony view is unobstructed except for the same stage front issues observed from the mezzanine. However, Balcony R has ample legroom, which is especially appreciated by theatergoers.
If you want to save money but still see the show, one attendee said that although Mezzanine R/Row N/Seat 30 was listed as partial view (and thus cheaper), they were able to see everything while enjoying the leg room in the aisle. Seating must be provided. But be forewarned. Most seats listed as partial view on the mezzanine are true partial view, with box seats providing a particularly difficult view. Although the sound mixing is sublime if you’re more interested in listening than watching the show.
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